In times of perceived economic gloom, we look for escapes and ways to lighten the drudgery of day to day life. Many of us in the UK head off to sunnier shores; some make a shorter journey down to the local pub. For those in need of instant cheer, they can listen to Kick and Pull by Aberdeen based singer-songwriter, Oliver Richards.
The first track, Gimme Love, starts with a soaring arpeggio and strings reminiscent of the joyous dance music of the 90s which pulls up the listener just in time to hear some gorgeous finger picking on acoustic guitar, Oliver’s signature to this uplifting song. The lyrics offer a simple, plaintive message which is sung pleadingly and sweetly in a near whisper.
Go Baby is a more sultry affair with bossanova driven minor chords and seductive suggestions in husky undertones. This calming piece of music is a pleasure to listen to and acts as a lovely counterpoint to the less subtle pick-me-up of the first track.
Things become more urgent and driven with Poison Ivy. The relentless rhythm raises the heartbeat and the fractious keyboard riffs jolt the senses. Oliver’s acoustic guitar is there too, palm-muted and as lively as the kick drum and double time hi-hat. The lyrics ring true with anyone who has been in an acrimonious relationship, with the eponymous Ivy being held up as a prime example of a dangerously beguiling lover.
Yeah No is more of an ensemble piece, with a full band sound in which the acoustic feel is adorned with electric guitars, bombastic drumming and pumping bass. Although the intimacy of the EP is somewhat lost in this track, the fullness of sound and production quirks make this an enjoyable listen.
The final track, 19th July, is a soaring masterpiece of acoustic folk where Oliver gives his voice a rest, bares his Scottish folk roots and reminds us what he can do with an acoustic guitar. The flurry of fingers combined with an awe inspiring church hall sound makes this song a fantastic finale for a well crafted EP full of surprise, joy and fervour.
Kick and Pull is a wonderfully crafted piece of work, well thought out without being forced or overindulgent. The production is phenomenally good, managing to combine acoustic beauty with hard-wired electronica, rock power and Oliver’s diverse vocal range. For an artist still young in his years, his music has a maturity that can speak for itself, urging you to listen as it will make your day just that little bit better.